June 2009
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Billie Silvey
East and West
In Byron's tales, a nonbeliever (Christian) from the West comes to the East and disrupts the social order.  The first tale, the story of The Giaour or infidel, was written in 1813.  It was based on an experience Byron had in Athens, when he rescued a woman who had been found guilty of adultery and sewn into a sack to be drowned. 

In Byron's story Leila, a member of Hassan's harem, is killed by Hassan for falling in love with the giaour.  The giaour kills him in revenge and enters a monastery in remorse.

Subsequent tales included
The Bride of Abydos, written in the same year, which tells the story of the love between Zuleika and her half brother Selim. 

The Corsair, published the next year, sold 10,000 copies its first day in print.  The tale of Conrad, a pirate captain who risks the love of his wife Medora to save a slave in Hassan’s harem, it inspired an opera by Verdi, an overture by Berlioz, and a ballet by Pepita. 

Lara, also published in 1814, continued the tale of Conrad as the mysterious Count Lara returns to his ancestral home.  Both The Siege of Corinth and Parisina were published in 1815.
Celebrities often travel to remote corners of the world, and Byron was no exception.  When the war in Western Europe and his own limited resources made the typical Grand Tour impossible, Byron ventured further afield into the Ottoman Empire.  There he spent time with Ali Pasha, who ruled Greece and Macedonia, and visited the court of the Sultan in Constantinople.  He is portrayed in the painting above wearing a Turkish costume he purchased on that journey.

Upon his return to England, Byron built on the fame of
Childe Harold by writing six wildly popular Turkish tales in verse, expanding the popularity of the Byronic hero and pointing up differences between eastern and western views of religion, sex and law.  In the process, he participated in and perpetuated another fascination of the Romantic era, Orientalism

Orientalism was the movement in art and literature which emphasized the colorful and unfamiliar aspects of Asian life--bazaars, harems, religion and customs. 

Europe first learned about Muslim life when Napoleon took scholars and artists along to document his findings during his
Egyptian Expedition (1798-1801).  Though he lost the conflict, the report of the expedition stirred widespread interest in Northern Africa and the Middle East among Europeans.  

By the time Byron arrived in 1810-11,  the Ottoman Empire was in decline, though the Turks still held parts of northern Africa, the Middle East, and even Europe.

Constantinople had been a meeting place of East and West, with conflicts between the two continuing since the Crusades of the Middle Ages, through battles like the
Siege of Vienna and naval engagements like the Battle of Lepanto.  These conflicts, as well as Byron's Turkish tales, were fueled by the contrast between Christian and Muslim views  of love, sex, death and the afterlife.
The contrasts and conflicts between East and West which characterized Byron's time continue to sow misunderstanding and complicate peaceful relations even today.  
Inspired by Byron's Giaour, the French painter Eugene Delacroix painted The Combat of the Giaour and the Pasha.  Delacroix was the quintessential Romantic artist, a major figure spanning Renaissance and Modern styles.  A daring and original painter, he is known for rich color, strenuous movement and rough, coarse brush strokes. 

His
Algerian Women in their Apartments now hangs in the Louvre.  It influenced Picasso.    
Revolution
Scandal