Billie Silvey
A History of Western
Architecture
February 2007
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Classical  7th-3rd century B.C.
Greek. Greek culture emphasized civic life.  Greeks gathered to
discuss issues in the agora, an open space surrounded by public
buildings and temples.  These stone temples were the homes of
immortal and powerful deities who were limited by time and space.
The
Parthenon is an example of Classical Greek architecture, part
of the temple complex on the Acropolis in Athens.  A shrine to the  
goddess Athena, it shows Greek attention to clarity and detail.
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Roman. Romans were practical and
well organized.  Working in concrete
and using the arch and vault, they  
built vast structures able to  
accommodate large groups of
people.  They were outstanding
engineers, building roads
and aqueducts.   The
Pantheon used a
circular dome with no columns for
support.  The Forum included not just
temples, but public buildings, basilicas
and store
s.
Medieval  373-1400 A.D.
Marked by the
growth of Christianity
and continuing warfare, the
Middle
Ages responded to a single God as
the exclusive source of faith by
constructing churches spacious
enough to accommodate many
worshipers and thick-walled castles
for defense.
.
Romanesque. The earliest style of medieval architecture featured
barrel vaults, round Roman-style arches, thick walls and heavy piers
instead of columns.  Windows were few and small for defense and
support for the stone vaults, making the buildings heavy and dark.  
Romanesque churches were cross-shaped with a nave, transepts,
choir and altar.  Thick, rounded walls resisted siege.  Common
buildings in the style include churches, monasteries and castles.  The
Romanesque style was made obsolete by the introduction of cannon.
Gothic.  In contrast to the
dark, heavy architecture of the
early middle ages, Gothic
architecture emphasized height
and light.  A graceful form, it
featured pointed arches,
ribbed vaults, buttresses and
slender clusters of columns.
Larger windows glowed with
colored glass.
Renaissance  1400-1600 A.D.
In contrast with the heavenly center of
Gothic architecture, the revival of
classical Greek and Roman styles
brought an earth-centered style.  
Characterized by clean lines, geometric
shapes, the circle as primary form and a
renewed sense of symmetry and
proportion,
Renaissance architecture
featured columns, semicircular arches,
vaults, pilasters and lintels.  With the
discovery of perspective, blueprints
could be drawn and spaces designed to
be grasped from a single viewpoint.  
Individual architects were recognized for
their work.  
Brunelleschi, the first
architect, won a competition to build the
dome of the Duomo in Florence.
Baroque  1600-1790
In a period of concentrated power and
continual war, leaders wanted their
buildings to make a statement about
their wealth and power  In the
17th
and 18th centuries, architecture
became ornate and theatrical, with
irregular shapes, and massive size.  
Color, light and shade, and sculptural
values produced emotional impact as
churches, palaces and government
buildings featured opulent
ornamentation, including frescoes on ceilings.  Architectural models
allowed designs to be examined in three dimensions.
19th Century
In an era of revolutionary change, people longed for stability and
tradition.  Thus, as the
Industrial Revolution led to the introduction
of such new materials as cast iron, steel and glass, a rising middle
class looked to the past for inspiration for their government
offices, banks, hospitals, museums, factories, and commercial
buildings .
Gothic Revival. The Houses of
Parliament in London are an
example of the Gothic Revival
style that triumphed from
1840-1900.
Art Nouveau. A heavily ornamented
style with flowing lines based on
organic forms such as shells, plants,
and waves, Art Nouveau spanned the
turn of the century.  The Spanish
architect Gaudi pushed the form to its
limit.

Art Deco. Growing out of art nouveau,
the deco style flourished in the early
decades of the 20th century.  It placed
greater emphasis on geometric forms
than organic. Examples are the
Chrysler Building in New York and
Bullocks Wilshire in Los Angeles.

Modern. The first distinctly American
style, the skyscraper, was pioneered
by
Louis Sullivan. With his dictum that
"form follows function," it led to a
simple, unornamented form with curtain
walls of glass and steel.
Neoclassical. After the excesses of
Rococo, architecture returned to
the balanced simplicity and purity of
line of the classics, featuring tall
columns, pediments and domes.  
Palladio was a major architect.  An
international style, neoclassicism is
seen in the Capitol, Lincoln
Memorial and National Gallery in
Washington, D. C.  
20th Century
During the 20th Century, new materials developed in the previous
century were used in new forms, with
skyscrapers racing to the
clouds.
The Living Temple
Mary Archer, Architect
Frank at the Roman Forum
Billie and the Duomo in Florence